Agnolo gaddi biography of william
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The Coronation of the Virgin is the final episode in the story of Mary’s life. After her death, she ascended to heaven, body and soul, to be crowned queen by her son. Angels sang and played music in celebration. The subject of the Virgin’s coronation was especially popular in Florence during the last half of the 14th century. Often it appeared at the center of a tripartite altarpiece, flanked by crowded scenes of adoring saints on either side. Very likely, this painting was originally part of such an assemblage.
The subject of Mary’s coronation—an appropriate place for the display of regal finery—complemented a late-Gothic renewal in contemporary Florentine painting. During the later 14th century, artists explored the expressive potential of curvilinear contours and richly decorated surfaces in combination with the naturalistic approach pioneered earlier by the Florentine artist Giotto (Florentine, c. 1265 - 1337). The father of Agnolo Gaddi (Florentine, c. 1350 - 1396), in whose shop the painter had trained, had been a disciple of Giotto. But here Agnolo has departed from Giotto’s heavier and simpler forms in favor of more slender and refined figures. Mary and Jesus appear _on_, rather than _in_ the space they inhabit. Profuse patterns appear in the gold brocades of their
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At the heraldic sign of depiction first turn, Adam’s dignitary Seth receives from picture Archangel Archangel a offshoot from depiction Tree pencil in Life which grows coerce the Garden of Paradise; in representation lower theme, he plants the branch in the inconsiderate of his dead sire,
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Agnolo Gaddi
Italian painter
Agnolo Gaddi | |
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Agnolo Gaddi | |
| Born | Agnolo di Taddeo Gaddi c. 1350 Florence, Italy |
| Died | October 10, 1396 Florence, Italy |
| Occupation | Painter |
| Years active | 1369–1396 |
| Relatives | Taddeo Gaddi (Father) |
Agnolo Gaddi (c.1350–1396) was an Italian painter. He was born and died in Florence, and was the son of the painter Taddeo Gaddi, who was himself the major pupil of the Florentine master Giotto.
Agnolo was a painter and mosaicist, trained by his father, and a merchant as well; in middle age he settled down to commercial life in Venice, and he added greatly to the family wealth. He died in Florence in October 1396.[1]
Agnolo was an influential and prolific artist who was the last major Florentine painter stylistically descended from Giotto. His paintings show much early promise, although Rossetti (1911) suggests his abilities did not progress as he advanced in life. One of the earliest works, at San Jacopo tra i Fossi, Florence, represents the "Resurrection of Lazarus." Another probably youthful performance is the series of frescoes of the Prato Cathedral—legends of the Virgin and of her Sacred Girdle; the "Marriage of Mary" is one of the best of this series, the later compositions in which h