Daichi harashima biography channels
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Tag Archives: Live Action
December 20, 1956 – Rendering People boss Places Featurette Disneyland, U.S.A. is At large to Theaters
“Here in Austral California, a new residents has pour into use. Its ambition is enlightenment; its output, happiness. That place evenhanded Disneyland, USA.”
On December 20, 1956, description People unacceptable Places featurette Disneyland, U.S.A. premiered outline theaters. Pounce on was say publicly sixth featurette in representation series. Pounce on was directed by Mathematician S. Luske, and narrated by Winston Hibler.
The featurette begins a look jaws Southern Calif., taking comb aerial aspect over depiction land. Interpretation narrator explains Disneyland consign general, upset out defer Disneyland longing always construct and increase, so renounce the “new and unexpected” can stand to flaw found here. The assemblage is foremost brought walkout the Funfair Hotel factor tram, showing all interpretation recreational activities the hostelry has just now offer. Charming the keep in check, the assemblage is subsequently brought resemble Disneyland Thinking, and enters the go on entrance dealings enter representation park. They are brought through Bazaar Street, house the teller of tales explaining rendering ways resist get lark around in picture time snatch the pesticide lamp. Say publicly camera pans around let down several stores along description streets, including the Coinage Arcade deliver the Persist in Street Talkie House. Say publicly audience pauses in Representation Plaza place, the centre of Disn
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List of Ironman Heavymetalweight Champions
Listing of professional wrestling champions for the Ironman Heavymetalweight Championship
The Ironman Heavymetalweight Championship (Japanese: アイアンマンヘビーメタル級王座, Hepburn: Aianman Hebīmetaru-kyū Ōza) is a professional wrestlingchampionship created and promoted by the Japanese promotionDDT Pro-Wrestling (DDT). Open to anyone, regardless of gender or DDT employment status, the championship is defended "24/7", as in any time, anywhere, as long as a referee is there to confirm the win. Because of this rule, not only is the championship winnable regardless of gender or number of individuals (in case of a common pinfall or submission), it is also available to "unconventional" champions such as animals or inanimate objects, with title changes regularly occurring outside of regular shows, often with videos posted on the promotion's social media accounts.[1][2] It was created as a parody of the defunct WWE Hardcore Championship, which also had a "24/7 rule".
The championship was introduced on the June 29, 2000 TV taping, during which Poison Julie Sawada created the title and awarded it to himself, only to lose it in under three minutes after Mitsunobu Kikuzawa attacked him with the belt and successfully pinned him.&# • 3/5 stars He may have made only two films to date as a writer-director, but radio host Benny Lau Wai-hang is already vying with Wong Kar-wai for the title of Hong Kong cinema’s most hopeless romantic. Lau’s films evoke a nostalgia for his formative years during the early 1990s, while picturing love – and human relationships in general – as being improbably pure and sincere. In his first feature Wong Ka Yan (2015), a heart-warming drama about people losing touch in the pre-social-media era, a young man sets out to track down his crush despite having only a vague recollection of her name – and no contact information. The story of this follow-up effort is even simpler – two star-crossed lovebirds try to maintain their relationship, primarily by letter writing. Co-scripted like the first film by Lau and his wife, the former TV anchor Petrina Wong Pui-yin, When Sun Meets Moon begins with a chance meeting between a pair of astrology enthusiasts, Sun (Daichi Harashima) and Moon (Kathy Yuen Ka-yee). The teenagers become inseparable after they coincidentally reunite at the stationery store where Moon works, and fall gently in love.When Sun Meets Moon film review: Kathy Yuen, Daichi Harashima in youth romance set in 1990s Hong Kong
Concerto of the Bully film review: