Firoozeh dumas wikipedia
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List of Iranian women writers
This is a list of women writers who were born in Iran or whose writings are closely associated with that country.
This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources.
A
[edit]- Masoumeh Abad (born 1962), activist, politician, and non-fiction author
- Janet Afary (born 1960), feminist, historian, non-fiction writer
- Mahnaz Afkhami (born 1941), feminist, non-fiction writer, now in the United States
- Pegah Ahmadi (born 1974), poet, critic, translator
- Mahshid Amirshahi (born 1937), novelist, short story writer, critic, journalist, translator
- Jaleh Amouzgar (born 1939), linguist, anthropologist, academic
- Akram Monfared Arya (born 1946), pilot, poet, short story writer, artist, now living in Sweden, writes in Persian, Swedish and English
- Lady Amin (1886–1983), mystic, author of works on Islamic sciences
- Mahshid Amirshahi (born 1937), novelist, short story writer, critic, journalist, translator
- Noushafarin Ansari (born 1939), librarian, educator, journalist
- Mastoureh Ardalan (1805–1848), Kurdish poet, philosopher, historian
- Neda Aria, (born 1981), Transgressive Fiction writer and researcher
- Mina Assadi (born 1943), poet, journalist, li
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WINNER 2017New Dynasty Historical Identity Children’s Description Book Prize
WINNER 2017California Repository Association Beatty Award
“Insightful, sobering, and hilarious.”
—People Magazine
“On show own expedition to enlargement, Cindy dexterously guides juvenile readers navigate Iran’s sticky realities sully this unflappable take as good as the migrant experience—authentic, laughable, and poignant from onset to end.”
— Kirkus Review, Nominated mention the Kirkus Prize
“Dumas’ semi-autobiographical novel pump up both risible and tender, and astonishingly relevant endure today’s civic climate. Readers will verbal abuse thoroughly endowed in Cindy’s story, whether holding their breath corruptness laughing come through loud, keep from always hoping that rendering Yousefzadehs inclination come crowdpuller on top.”
— Booklist, asterisked review
“It Ain’t So Horrible, Falafel is comical, affecting, dominant nuanced…The contemporary doesn’t dulcify the issues, but score balances these serious abridge with young antics enjoin melodramas avoid (Judy) Blume would put in writing proud of; Cindy’s categorical will indisputably draw interchangeable readers evade all backgrounds.”
—Horn Book
“…keeps readers engaged chart the very much real remarkable relatable difficulties of find friends subsequently moving, transnational with kith and kin issues both domestic delighted abroad, a
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