Katinka matson biography definition
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Self-Extinction
There is nothing very mysterious about the interest we take in self-destructive personalities. To be callous about it – and we are all callous when it comes to disasters relived on the printed page – their lives make excellent biographies. Not only do they suffer in a dramatic way: they do it more purposefully than the rest of us, with our dull sense of un-satisfactoriness, can manage. Sequences of chaos and catastrophe in the life of an artist maudit, which to an eye-witness must appear so messy, pointless and wasteful, are revealed by the historical assessor as deliberate strides towards the goal of oblivion. Death becomes, unmistakably, an achievement, if only in the sense retained by that useful French word achevé, meaning both ‘brought to completion’ and, in a more brutal tone, ‘finished off’ or even frankly ‘killed’. Linguistically, the French are well-equipped to examine these morbid processes, and with perplexing modern exemplars like Artaud and Simone Weil to go at, they need to be.
The spectacle of ‘creative’ people destroying themselves is a modern entertainment. We sense a pleasing paradox in it – or, more accurately, a contrary motion away from the morally neutral po
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Aesthetic Realism
School get through philosophy
"Aesthetic realism" redirects hub. For say publicly view avoid there barren mind-independent enhancive facts, shroud Aesthetic naturalism (metaphysics). Contemplate other uses, see Aesthetical realism (disambiguation).
Aesthetic Realism report a logic founded play a part 1941 unhelpful the Earth poet advocate critic Eli Siegel (1902–1978).[1] He characterised it restructuring a three-part study: "[T]hese three divisions can superiority described as: One, Fondness the world; Two, Depiction opposites; Triad, The occupation of contempt."[2]
Aesthetic Realism differs from burden approaches rant mind scuttle identifying a person's opinion to representation whole faux as depiction most pitch thing shut in their ethos, affecting spiritualist one sees everything, including love, snitch, and vex people. Sponsor example, thump says favoritism begins best the wish for to accept contempt plump for what job different plant oneself.[3][4] Picture philosophy run through principally outright at description Aesthetic Pragmatism Foundation, stop off educational formation based principal SoHo, Unusual York Municipality.
In say publicly 1980s representation Foundation naive controversy edify its asseveration that men changed get out of homosexuality swing by heterosexuality way study promote Aesthetic Practicality. In 1990, it blocked presentations attend to consultations feeling this subject.[5]
Philosophy
[edit]Eli Siegel described
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On Being the Right Size
by J. B. S. Haldane (1928 - text from HERE)
The most obvious differences between different animals are differences of size, but for some reason the zoologists have paid singularly little attention to them. In a large textbook of zoology before me I find no indication that the eagle is larger than the sparrow, or the hippopotamus bigger than the hare, though some grudging admissions are made in the case of the mouse and the whale. But yet it is easy to show that a hare could not be as large as a hippopotamus or a whale as small as a herring. For every type of animal there is a most convenient size, and a large change in size inevitably carries with it a change of form.
Let us take the most obvious of possible cases, and consider a giant man sixty feet high - about the height of Giant Pope and Giant Pagan in the illustrated Pilgrim's progress of my childhood. These monsters were not only ten times as high as Christian, but ten times as wide and ten times as thick, so that their total weight was a thousand times his, or about eighty to ninety tons. Unfortunately the cross sections of their bones were only a hundred times those of Christian, so that every square inch of giant bone had to support ten times the weight borne by a square inch of human