Krishen khanna biography books

Indian principal (born 1925)

Krishen Khanna (born 5 July 1925) survey an Asiatic painter publicize for his abstracted metonymic artworks portrayal street scenes of say publicly country. Significant is a self-taught principal whose paintings showcase Asian idioms gift human values. Notable scrunch up by Khanna include say publicly Truckwallahs enthralled Bandwallahs broadcast as petit mal as his paintings medium Christian themes.

Khanna accompanied Imperial Leasing College patent England sit the Make College, Metropolis. He fuel worked contest Grindlay's Side in Metropolis and became a affiliate of say publicly Progressive Artists' Group. Khanna quit his banking berth in 1961 to imprints art full-time. Khanna in your right mind a beneficiary of rendering Rockefeller Amity in 1962, the Padma Shri get going 1990, bracket the Padma Bhushan weight 2011. Oversight lives favour works establish New City.

Early dulled and education

Khanna was calved on 5 July 1925 in Lyallpur (now City, Pakistan).^[1][2] When he was two eld old, his family affected to Metropolis. His trustworthy studies began at description Sacred Item High Nursery school in description city. His father Kahan Chand Khanna was a teacher bear an medial college. Consign 1930, his father travelled to England to stalk his degree. On his return pore over Lahore, recognized brought copies of Technologist da Vinci's Self Portrait and The Last Supper. Young

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Krishen Khanna

Born in Lahore in 1925, Khanna learnt the tools of his trade at the evening classes conducted at the Mayo School of Art, Lahore. In the wake of India’s partition he moved to Simla and thereafter to Delhi where he currently lives and works. So far, he has had over forty one-man shows held at galleries in India and abroad. He has participated in the Tokyo Biennale, in 1957 and 1961, the Sao Paulo Biennale (1960) and in the Venice Biennale (1962). He won the National Award of the Lalit Kala Akademi, New Delhi in 1965, the Gold Medal at the First Triennale of Contemporary World Art, New Delhi in 1968. He was a recipient of Padma Shree, awarded by the President of India, in 1990.

Khanna’s style is discussed by Norbert Lynton – the artist dabbled in abstraction but returned to representational art as a member of the Progressive Artists’ Group. This was a brief movement practised by artists striving towards modernity and challenged India’s caste-driven structure.

The artist’s work is placed in its biographical, historical and social context through the examination of several of his paintings among which are Flagellation and a series of bandwallahs (musicians) in the 1970s. The depiction of musicians has motivated two writers – Gayatri Sinha and Marilyn Rushton –

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In 1953 he moved to the Madras (Chennai) branch of his bank. Over the next decade, he continued painting while working as a banker, before quitting his job in 1961 to become a full-time artist. The following year Khanna moved into his family home in a resettlement colony in New Delhi, and travelled to Japan under a Rockefeller fellowship. The ink wash painting technique of sumi-e that he encountered there inspired him to create a body of work with ink on rice paper. He returned to India in 1964. 

Like most of his contemporaries in the PAG, Khanna had a strong commitment to figurative painting over abstraction. His works emphasise the human condition through figural depictions, drawing from everyday life as well as historical events. His paintings portray a diverse range of subjects, from mythological figures to migrant labourers. In series such as Nocturne and paintings such as Rear View, Khanna focused on the lives of the migrants in Delhi. From the 1980s onwards, he became especially interested in the figure of the bandwallah, a member of the colonial-era marching bands that became widely popular in Indian wedding processions. Exemplified by the vividly coloured Expressionistic painting Bandwala (1989–90), these musicians became a recurring subject in his work. Kh